Critical writing 

In print​​

• ‘The Artefact of Losing: On the (Bio)poetics of Miscarriage’ (co-authored with Christopher Law), The Body Productive, ed. Steffan Blayney, Joey Hornsby and Savannah Whaley, forthcoming)

• Review of Sigrid Nunez's What are you going through, the Guardian (November 2020)

• Review of Megan Hunter's The Harpy, the Guardian (September 2020)

• Review of Nesrine Malik’s We Need New Stories, the Guardian (September 2019)

• ‘Communality and Consequence: on Jericho Brown and Toby Martinez de las Rivas, Poetry London (February 2019)

• ‘On Universities’, The White Review Issue 22 (June 2018)

• 'Unmindful Men: women’s bodies in The Winter’s Tale’, The Cambridge Humanities Review 12 (Winter 2017)

• ‘Where does the shame go? On Sophie Collins’ small white monkeys’, The Cambridge Humanities Review 13 (Lent 2018)

• ‘Parental elegy: language in extremis’, in collaboration with Anna Burel of the Conceiving Histories project (Birkbeck, UoL), King’s Review 4 (Winter 2017)

• ‘Foreword’, ANON: Mary Butts (Oxford: Hurst Street Press, December 2017)

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Online

• ‘Where do I put myself, if public life’s destroyed: on reading Denise Riley’, The White Review (May 2020)

• ‘On Fiona Apple’s Fetch the Bolt Cutters’, Club des Femmes (May 2020)

• Review of Phyllis Rose’s Parallel Lives, the Guardian (March 2020)

• ‘Poetic collegiality: on Daddy Poem’, in the ‘Ivan Juritz Prize for Creative Experiment’, forthcoming in Textual Practice Volume 34, Issue 2 (March 2020)

• Interview with Camille Barbagallo, Verso blog (March 2020)

• On Susan Hiller’s Dream Mapping, Elephant (March 2020)

• Review of ‘Portraying Pregnancy’, Apollo (January 2020)

• ‘Why an ‘Apolitical’ Literary Establishment Is Impossible’,  frieze (November 2019)

• ‘Profile: Olga Tokarczuk', frieze (October 2019)

• ‘“Burn all documents, rescue the women”: on Rachael Allen’s Kingdomland’, The Stinging Fly (May 2019)

• ‘Three Poems and the Problem with an Awards Monoculture’, frieze (January 2019)

• ‘On Rebecca Tamás’ “Communist Ghost”‘, SPAM Cuts (December 2018)

• ‘On Sally Rooney’s Normal People’, The White Review (October 2018)

• ‘From Object to Subject? Léonor Serraille’s Jeune Femme and Agnès Varda’s Vagabond’, Another Gaze (July 2018)

• ‘“Learn to love your claustrophobia”: the false feminism of Jason Reitman’s Tully’, Another Gaze (May 2018)

•  ‘Cradle to Grave: on maternal mortality’, The Baffler (January 2018)

• ‘On Elle’, London Review of Books blog (April 2017)